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“Inductees: John “Bonzo” Bonham (drums; born May 31, 1948, died September 25, 1980), John Paul Jones (bass, keyboards; born January 3, 1946), Jimmy Page (guitar; born January 9, 1944), Robert Plant (vocals; born August 20, 1948)

Combining the visceral power and intensity of hard rock with the finesse and delicacy of British folk music, Led Zeppelin redefined rock in the Seventies and for all time. They were as influential in that decade as the Beatles were in the prior one. Their impact extends to classic and alternative rockers alike. Then and now, Led Zeppelin looms larger than life on the rock landscape as a band for the ages with an almost mystical power to evoke primal passions. The combination of Jimmy Page’s powerful, layered guitar work, Robert Plant’s keening, upper-timbre vocals, John Paul Jones’ melodic bass playing and keyboard work, and John Bonham’s thunderous drumming made for a band whose alchemy proved enchanting and irresistible. “The motto of the group is definitely, ‘Ever onward,’” Page said in 1977, perfectly summing up Led Zeppelin’s forward-thinking philosophy.

The group formed in 1968 from the ashes of the Yardbirds, for which guitarist Jimmy Page had served as lead guitarist after Eric Clapton and Jeff Beck. Page’s stint in the Yardbirds (1966-1968) followed a period of years as one of Britain’s most in-demand session guitarists. As a generally anonymous hired gun, Page performed on mid-Sixties British Invasion records by the likes of Donovan (“Hurdy Gurdy Man”), Them (“Gloria”), the Kinks (“You Really Got Me”), the Who (“I Can’t Explain”) and hundreds of others. Page assembled a “New Yardbirds” in order to fulfill contractual obligations that, once served, allowed him to move on to his blues-based dream band, Led Zeppelin.

Bassist John Paul Jones also boasted a lofty session musician’s pedigree. His resume included work for the Rolling Stones, Donovan, Jeff Beck and Dusty Springfield. Singer Robert Plant and drummer John “Bonzo” Bonham came from Birmingham, England, where they’d previously played in the Band of Joy. Page described Led Zeppelin in a press release for their first album with these words: “I can’t put a tag to our music. Every one of us has been influenced by the blues, but it’s one’s interpretation of it and how you utilize it. I wish someone would invent an expression, but the closest I can get is contemporary blues.” Integrating Delta blues and U.K. folk influences with a modern rock approach, Led Zeppelin’s symbiosis gave rise to hard rock, which flourished in the Seventies under their expert tutelage. Such classics as “Whole Lotta Love” were built around Page’s heavyweight guitar riffs, Plant’s raw, half-screamed vocals, and the rhythm section’s deep, walloping assaults – all hallmarks of a new approach to rock that combined heaviness and delicacy.

In Jimmy Page’s words, the band aimed for “a kind of construction in light and shade.” The members of Led Zeppelin were musical sponges, often traveling the world –literally traipsing about foreign lands and figuratively exploring the cultural landscape via their record collections – in search of fresh input to trigger their muse. “The very thing Zeppelin was about was that there were absolutely no limits,” explained bassist Jones. “We all had ideas, and we’d use everything we came across, whether it was folk, country music, blues, Indian, Arabic.”

The group’s use of familiar blues-rock forms spiced with exotic flavors found favor among the rock audience that emerged in the Seventies. Led Zeppelin aimed itself at the album market, eschewing the AM-radio singles orientation of the previous decade. Their self-titled first album found them elongating blues forms with extended solos and psychedelic effects, most notably on the agonized “Dazed and Confused,” and launching pithy hard-rock rave-ups like “Good Times Bad Times” and “Communication Breakdown.” Led Zeppelin II found them further tightening up and modernizing their blues-rock approach on such tracks as “Whole Lotta Love,” “Heartbreaker” and “Ramble On.” Led Zeppelin III took a more acoustic, folk-oriented approach on such numbers as Leadbelly’s “Gallows Pole” and their own “Tangerine,” yet they also rocked furiously on “Immigrant Song” and offered a lengthy electric blues, “Since I’ve Been Loving You.”

The group’s untitled fourth album (a.k.a., Led Zeppelin IV, “The Runes Album” and ZOSO), which appeared in 1971, remains an enduring rock milestone and their defining work. The album was a fully realized hybrid of the folk and hard-rock directions they’d been pursuing, particularly on “When the Levee Breaks” and “The Battle of Evermore.” “Black Dog” was a piledriving hard-rock number cut from the same cloth as “Whole Lotta Love.” Most significant of the album’s eight tracks was the fable-like “Stairway to Heaven,” an eight-minute epic that, while never released as a single, remains radio’s all-time most-requested rock song. Houses of the Holy, Led Zeppelin’s fifth album, was another larger-than-life offering, from its startling artwork to the adventuresome music within. Even more taut, dynamic and groove-oriented, it included such Zeppelin staples as “Dancing Days,” “The Song Remains the Same” and “D’yer Mak’er.” They followed this with the Physical Graffiti, a double-album assertion of group strength that included the “Trampled Underfoot,” “Sick Again,” “Ten Years Gone” and the lengthy, Eastern-flavored “Kashmir.”

Led Zeppelin’s sold-out concert tours became rituals of high-energy rock and roll theater. The Song Remains the Same, a film documentary and double-album soundtrack from 1976, attests to the group’s powerful and somewhat saturnalian appeal at the height of their popularity. The darker side of Led Zeppelin – their reputation as one of the most hedonistic and indulgent of all rock bands– is an undeniable facet of the band’s history.

In the mid-to-late Seventies, a series of tragedies befell and ultimately broke up Led Zeppelin. A 1975 car crash on a Greek island nearly cost Plant his leg and sidelined him (and the band) for two years. In 1977, Plant’s six-year-old son Karac died of a viral infection. The group inevitably lost momentum, as three years passed between the release of the underrated Presence (1976) and In Through the Out Door, their final studio album (1979). On September 25, 1980, while in the midst of rehearsals for an upcoming American tour, Led Zeppelin suffered another debilitating blow. Drummer John Bonham was found dead due to asphyxiation following excessive alcohol consumption. Feeling that he was irreplaceable, Led Zeppelin disbanded.

Robert Plant launched a solo career, Jimmy Page formed The Firm with former Bad Company singer Paul Rodgers, and John Paul Jones returned to producing, arranging and scoring music. There were brief reunions at Live Aid and for Atlantic Records’ 40th anniversary celebration. Something of the old power was rekindled in 1995 when Page and Plant reunited to record an album (No Quarter) and tour with a large and diverse ensemble of musicians.

Meanwhile, the Led Zeppelin legend endures and grows long after their demise, much like that of the Doors and Elvis Presley. The lingering appeal of Led Zeppelin is perhaps best summed up by guitarist Page: “Passion is the word….It was a very passionate band, and that’s really what comes through.” At the dawn of the new millennium, Led Zeppelin placed second only to the Beatles in terms of record sales, having sold 84 million units. Led Zeppelin IV is the fourth best-selling album in history, having sold more than 22 million copies, and four other albums by the band – Physical Graffiti, Led Zeppelin II, Houses of the Holy and Led Zeppelin - also rank among the all-time top 100 best-sellers. Fittingly, Led Zeppelin is tied with the Beatles (five apiece) for the most albums on that esteemed list – a mark of both bands’ impact. In their ceaseless determination to move music forward, Led Zeppelin carved out an indelible place in rock history.

TIMELINE
January 9, 1944: Jimmy Page was born.

June 3, 1946: John Paul Jones was born.

May 31, 1948: John “Bonzo” Bonham was born.

August 20, 1948: Robert Plant was born.

July 1, 1966: Ahmet Ertegun signs the English group Cream. Atlantic will become a major force in British rock, releasing albums by such artists as the Bee Gees, Mott the Hoople, Yes, Genesis, Derek and the Dominos, Emerson, Lake and Palmer and Led Zeppelin.

July 7, 1968: The Yardbirds break up, guitarist Jimmy Page forms the New Yardbirds and changes the group’s name to Led Zeppelin, allegedly on the advice of the Who’s Keith Moon.

October 15, 1968: Led Zeppelin performs its first show, at Surrey University in England.

November 13, 1968: Atlantic Record announces its signing of a “hot new English group” named Led Zeppelin.

February 15, 1969: The hotly anticipated, self-titled debut album by Led Zeppelin enters the album charts, ultimately reaching #10.

December 6, 1969: Led Zeppelin enters the Top Forty with “Whole Lotta Love,” which reaches #4. It is this album-oriented band’s highest-charting single.

December 27, 1969: ‘Led Zeppelin II’ tops the U.S. album charts for the first of seven weeks; it will reach #1 in the U.K. in February 1970.

October 31, 1970: The more folk-oriented ‘Led Zeppelin III’ becomes the band’s second #1 album.

January 30, 1971: Led Zeppelin hits #15 with “Immigrant Song”.

November 27, 1971: Led Zeppelin’s fourth album, which features four runes (symbols) as its title, enters Billboard’s album chart, where it will remain for the next five years. Oddly, it doesn’t quite reach #1, peaking at #2.

February 12, 1972: Led Zeppelin hits #15 with “Black Dog”.

April 15, 1972: Led Zeppelin hits #47 with “Rock and Roll”.

May 12, 1973: ‘Houses of the Holy,’ Led Zeppelin’s fifth album, becomes their third to reach #1.

December 29, 1973: Led Zeppelin hits #20 with “D’yer Mak’er”.

May 3, 1974: Led Zeppelin launches their Swan Song label, which releases their albums and ones by handpicked artists like Bad Company and the Pretty Things.

March 22, 1975: ‘Physical Graffiti,’ a double album by Led Zeppelin, reaches #1 in its second week of release. It stays there for six weeks.

March 29, 1975: Led Zeppelin becomes the first band in history to have 6 albums on the chart at once: ‘Physical Graffiti’ (#1), ‘Led Zeppelin IV’, ‘House of the Holy’, ‘Led Zeppelin II’, ‘Led Zeppelin’, and ‘Led Zeppelin III’.

May 17, 1975: Led Zeppelin hits #38 with “Trampled Under Foot”.

August 5, 1975: Robert Plant and his wife are injured in a car crash while vacationing in Greece.

October 20, 1976: Led Zeppelin’s concert documentary, T’he Song Remains the Same,’ premieres in New York.

September 7, 1979: Led Zeppelin’s last studio album ‘In Through the Out Door’ enters the British charts at Number One.

September 8, 1979: ‘In Through the Out Door,’ Led Zeppelin’s first album of new material in over three years, is released. Topping the chart for seven weeks, it turns out to be their swan song.

September 14, 1979: Led Zeppelin’s ‘In Through the Out Door’ begins its seven-week run at Number One on the US charts.

February 16, 1980: Led Zeppelin hits #21 with “Fool In the Rain.”

September 25, 1980: John Bonham, drummer for Led Zeppelin, dies of asphyxiation in his sleep after having consumed “40 measures of vodka.”

December 4, 1980: Led Zeppelin releases a statement announcing that it is disbanding in the wake of drummer John Bonham’s death.

July 13, 1985: Led Zeppelin re-forms (with Phil Collins replacing the late John Bonham on drums) for the Live Aid benefit concert in Philadelphia.

May 14, 1988: Led Zeppelin reunites, with drummer Jason Bonham (the late John Bonham’s son), to perform a few songs at Atlantic Records’ 40th anniversary concert at New York’s Madison Square Garden.

November 13, 1990: ‘Led Zeppelin,’ a four-CD and six-LP box set, is released. Reaching #18 on the album chart, it will sell over one million copies, making it the best-selling box set in rock and roll history.

September 11, 1993: ‘Led Zeppelin – The Complete Studio Records,’ a ten-CD box set, is released.

October 12, 1994: The live documentary ‘Unledded,’ which reunites Robert Plant and Jimmy Page onstage, airs on MTV. It features four live acoustic versions of Led Zeppelin favorites and eight new Page-Plant collaborations.

November 26, 1994: ‘No Quarter,’ by Led Zeppelin mainstays Jimmy Page and Robert Plant, enters the album chart at #4.

January 12, 1995: Led Zeppelin is inducted into the Rock and Roll Hall of Fame at the tenth annual induction dinner. Steven Tyler and Joe Perry of Aerosmith are their presenters.

November 18, 1997: ‘Led Zeppelin: BBC Sessions,’ a double CD of archival live performances on British radio from 1969-71, is released.

Led Zeppelin were an English rock band that formed in September 1968. Led Zeppelin consisted of Jimmy Page, Robert Plant, John Paul Jones and John Bonham. With their heavy, guitar-driven sound, Led Zeppelin are regarded as one of the first heavy metal bands.[1][2] Their rock-infused interpretation of the blues, and folk genres also incorporated rockabilly,[3] reggae,[4] soul,[5] funk,[6] jazz,[7] classical, Celtic, Indian, Arabic, pop, Latin, and country. The band did not release the popular songs from their albums as singles in the UK, as they preferred to develop the concept of album-oriented rock.[8]

Over 25 years after disbanding following Bonham’s 1980 death, Led Zeppelin continue to be held in high regard for their artistic achievements, commercial success, and broad influence. The band have sold more than 300 million albums worldwide,[9] including 109.5 million sales in the United States,[10] and they are the only band to have had all their albums reach the U.S. Billboard Top 10.[11] Led Zeppelin are ranked No. 1 on VH1’s 100 Greatest Artists of Hard Rock.[12]

On September 12, 2007, it was confirmed during a press conference by promoter Harvey Goldsmith that the surviving members of Led Zeppelin will reunite for the Ahmet Ertegun tribute show at The O2 in London on 26 November 2007. In addition after being one of the most prominent groups to holdout from digital downloads of their material, the band will release its entire catalog for digital download availability on November 13, 2007. [13]

History of Led Zeppelin

The early days (1968–1970)

The New Yardbirds
The beginnings of Led Zeppelin can be traced back to the British blues-influenced rock band The Yardbirds.[14] Page joined The Yardbirds in 1966 to play bass guitar after the original bassist, Paul Samwell-Smith, left the group. Shortly after, Page switched from bass to second lead guitar, creating a dual-lead guitar line up with Jeff Beck.

Following the departure of Beck in October 1966, The Yardbirds, tired from constant touring and recording, were beginning to wind down. Page wanted to form a supergroup with himself and Beck on guitars, and The Who’s rhythm section - drummer Keith Moon and bassist John Entwistle. Vocalists Donovan, Steve Winwood and Steve Marriott were also considered for the project.[15] The group never formed, although Page, Beck and Moon did record a song together in 1966, “Beck’s Bolero”, which is featured on Beck’s 1968 album, Truth. The recording session also included bassist-keyboardist John Paul Jones, who told Page that he would be interested in collaborating with him on future projects.[16]

The Yardbirds played their final gig in July 1968. However, they were still committed to performing several concerts in Scandinavia, so drummer Jim McCarty and vocalist Keith Relf authorised Page and bassist Chris Dreja to use the Yardbirds name to fulfil the band’s obligations. Page and Dreja began putting a new line-up together. Page’s first choice for lead singer, Terry Reid, declined the offer, but suggested Robert Plant, a Birmingham singer he knew.[17] Plant eventually accepted the position, recommending a drummer, John Bonham from nearby Redditch.[18] When Dreja opted out of the project to become a photographer—he would later take the photograph that appeared on the back of Led Zeppelin’s debut album—Jones, at the suggestion of his wife, contacted Page about the vacant position. Being familiar with Jones’ credentials, Page agreed to bring in Jones as the final piece.

The group played together on record the first time on the final day of sessions for the P. J. Proby album, Three Week Hero. Proby recalled, “Come the last day we found we had some studio time, so I just asked the band to play while I just came up with the words. … They weren’t Led Zeppelin at the time, they were the New Yardbirds and they were going to be my band.”

The band completed the Scandinavian tour as The New Yardbirds. One account of the band’s naming, which has become almost legendary, has it that Keith Moon and John Entwistle suggested that a possible supergroup containing themselves, Jimmy Page, and Jeff Beck would go down like a lead balloon, a term Entwistle used to describe a bad gig.[20] The group deliberately dropped the ‘a’ in Lead at the suggestion of their manager, Peter Grant, to prevent “thick Americans”[16] from pronouncing it as “leed”.[21]

Grant also secured an advance deal of $200,000 from Atlantic Records in November 1968, then the biggest deal of its kind for a new band.[19] Atlantic was a label known for its catalogue of blues, soul and jazz artists, but in the late-1960s it began to take an interest in progressive British rock acts, and signed Led Zeppelin without having ever seen them, largely on the recommendation of singer Dusty Springfield.[22] With their first album not yet released, Led Zeppelin made their live debut at the University of Surrey, Guildford on October 15, 1968. This was followed by a U.S. concert debut on December 26, 1968 (when promoter Barry Fey added them onto a bill in Denver, Colorado) before moving on to the west coast for dates in Los Angeles, San Francisco and other cities.[23]
Led Zeppelin (the first album)
Main article: Led Zeppelin (album)
Shortly after their first tour, the group’s eponymous first album was released on 12 January 1969. Its blend of blues, folk, and eastern influences with distorted amplification made it one of the pivotal records in the creation of heavy metal music. However, Plant has commented that it is unfair for people to typecast the band as heavy metal, since about a third of their music was acoustic.[24]

In an interview for the Led Zeppelin Profiled radio promo CD (1990) Page said that the album took about 36 hours of studio time to create (including mixing), and stated that he knows this because of the amount charged on the studio bill. Peter Grant claimed the album cost £1,750 to produce (including artwork).[16] By 1975, the album had grossed $7,000,000.[25]

Led Zeppelin’s album cover met an interesting protest when, at a 28 February 1970 gig in Copenhagen, the band was billed as “The Nobs” as the result of a threat of legal action from aristocrat Eva von Zeppelin (a relative of the namesake creator of the Zeppelin aircraft), who, upon seeing the logo of the Hindenburg crashing in flames, threatened to have the show pulled off the air.[26]
Led Zeppelin II
Main article: Led Zeppelin II
In their first year of existence, Led Zeppelin managed to complete four U.S. and four UK concert tours, as well as find time to release their second album, entitled Led Zeppelin II.[19] Recorded almost entirely on the road at various North American recording studios, the second album was an even greater success than the first and reached the number one chart position in the U.S. and the UK.[27] Here the band further developed ideas established on their debut album, creating a work which became even more widely acclaimed and arguably more influential.[28] It has been suggested that Led Zeppelin II largely wrote the blueprint for 1970s hard rock.[28]

Following the album’s release Led Zeppelin made several more tours of the United States. They played often, initially in clubs and ballrooms, then in larger auditoriums as their popularity grew. Led Zeppelin concerts could last more than three hours, with expanded, improvised live versions of their song repertoire.[29] Many of these shows have been preserved as Led Zeppelin bootleg recordings.
Led Zeppelin III
Main article: Led Zeppelin III
For the composition of their third album, Led Zeppelin III, Jimmy Page and Robert Plant retired to Bron-Yr-Aur, a remote cottage in Wales, in 1970. This would result in a more acoustic sound than previously exhibited by the group (and a song, “Bron-Yr-Aur Stomp”, misspelled as “Bron-Y-Aur Stomp” on the album cover, which was a complete remake of Bert Jansch’s song “The Waggoners Lad”). Strongly influenced by folk and Celtic music, the album revealed a different side of the band’s versatility.

The album’s rich acoustic sound initially received mixed reactions, with many critics and fans surprised at the turn taken by the band away from the primarily electric compositions of the first two albums. Over time, however, its reputation has recovered and Led Zeppelin III is now generally praised.[30][31] It has a unique album cover featuring a wheel which, when rotated, displayed various images through cut outs in the main jacket sleeve.

The album’s opening track, “Immigrant Song”, was released in November 1970 by Atlantic Records as a single against the band’s wishes (Atlantic had earlier released an edited version of “Whole Lotta Love” which cut the 5:34 song to 3:10, removing the abstract middle section). It included their only non-album b-side, “Hey Hey What Can I Do”. Even though the band saw their albums as indivisible, whole listening experiences—and their manager, Peter Grant, maintained an aggressive pro-album stance—some singles were released without their consent. The group also increasingly resisted television appearances, enforcing their preference that their fans hear and see them in person.

The album finishes with “Hats Off To (Roy) Harper”, a track dedicated to their influential contemporary, Roy Harper, that both honours Harper’s work and acknowledges the bands’ roots in acoustic music.
“The biggest band in the world” (1971–1975)
The success of Led Zeppelin’s early years would be dwarfed by this five-year period in which the band would release their best selling albums and ascend to musical success in the 1970s. The band’s image also changed as members began to wear elaborate, colourful clothing and jewellery similar to other popular performers of the era. If the band’s popularity on stage was impressive, so too was its reputation for off-stage wildness and excess. Led Zeppelin began travelling in a private jet airliner (nicknamed The Starship[32]), rented out entire sections of hotels (most notably the Continental Hyatt House in Los Angeles, known colloquially as the “Riot House”), and became the subject of many of rock’s most famous stories of debauchery. One escapade involved John Bonham throwing televisions out of the windows of the Riot House during a drunken rampage and then blaming the damage on Led Zeppelin groupies. Another example of Led Zeppelin excess was the infamous shark episode, or red snapper incident, which took place at the Edgewater Inn in Seattle, Washington, on July 28, 1969.[16]
The fourth album
 
The four symbols on Led Zeppelin IV’s cover, representing Jimmy Page, John Paul Jones, John Bonham, and Robert Plant (from left to right) respectively. The symbols have origins in mysticismMain article: Led Zeppelin IV
Led Zeppelin’s fourth album was released on 8 November 1971. There was no indication of a title nor band name on the original cover, but on the LP label four symbols were printed—. The band were motivated to undertake this initiative by their disdain for the media, which labelled them as hyped and overrated. In response, they released the album with no indication of who they were in order to prove that the music could sell itself. The album is variously referred to as Four Symbols and The Fourth Album (both titles were used in the Atlantic Records catalogue), and also IV, Untitled, Zoso, Runes, Sticks, Man With Sticks, and Four. It is still officially untitled and most commonly referred to as Led Zeppelin IV. In an interview with Rolling Stone magazine in 2005, Plant said that it is simply called The Fourth Album.[33]

 further refined the band’s unique formula of combining earthy, acoustic elements with heavy metal and blues emphases. The album included examples of hard rock, such as “Black Dog” and an acoustic track, “Going to California” (a tribute to Joni Mitchell).[34]

“Rock and Roll” is a tribute to the early rock music of the 1950s. Recently (as of 2006) and until mid-2007, the song has been used prominently in Cadillac automobile commercials—one of the few instances of Led Zeppelin’s surviving members licensing songs.[35]

The album also featured “Stairway to Heaven” (sample (info)), which became a massive album-oriented rock FM radio hit despite never being released as a single. The song has been controversial due to unsubstantiated but repeated claims of “satanic” back masked messages.[36] In 2005, the magazine Guitar World held a poll of readers in which “Stairway to Heaven” was voted as having the greatest guitar solo of all time.[37]

As of July 31, 2006,  has sold 23 million copies in the U.S., making it one of the top four best selling albums in the history of the U.S. music industry.[38] Worldwide, it ranks at number eleven in album sales.[39]
Houses of the Holy
Main article: Houses of the Holy
Led Zeppelin’s next album, Houses of the Holy, was released in 1973. It featured further experimentation, with longer tracks and expanded use of synthesisers and mellotron orchestration. The song “Houses of the Holy” does not appear on its namesake album, even though it was recorded at the same time as other songs on the album; it eventually made its way onto the 1975 album Physical Graffiti.[16]

The striking orange album cover of “Houses of the Holy” features images of nude children[40] climbing up the Giant’s Causeway (in County Antrim, Northern Ireland) to an unseen idol. Although the children are not depicted from the front, this was highly controversial at the time of the album’s release, and in some areas, such as the “Bible Belt” and Spain, the record was banned.

The album topped the charts, and Led Zeppelin’s subsequent Houses of the Holy concert tour of the United States in 1973 broke records for attendance, as they consistently filled large auditoriums and stadiums. At Tampa Stadium, Florida, they played to 56,800 fans (breaking the record set by The Beatles at Shea Stadium in 1965), and grossed $309,000.[16] Three sold-out shows at Madison Square Garden in New York were filmed for a motion picture, but the theatrical release of this project (The Song Remains the Same) would be delayed until 1976.

In 1974, Led Zeppelin took a break from touring and launched their own record label, Swan Song, named after one of only five Led Zeppelin songs which the band never released commercially (Page later re-worked the song with his band, The Firm, and it appears as “Midnight Moonlight” on their first album). The record label’s logo, based on a drawing called Evening: Fall of Day (1869) by William Rimmer, features a picture of Apollo (although it is often misinterpreted as a picture of Icarus, Daedelus, Satan, or Lucifer). The logo can be found on much Led Zeppelin memorabilio, especially t-shirts. In addition to using Swan Song as a vehicle to promote their own albums, the band expanded the label’s roster, signing artists such as Bad Company, Pretty Things, Maggie Bell, Detective, Dave Edmunds, Midnight Flyer, Sad Café and Wildlife.[43] The label would be successful while Led Zeppelin existed, but folded less than three years after they disbanded.[16]
Physical Graffiti
Main article: Physical Graffiti
February 24, 1975 saw the release of Led Zeppelin’s first double album, Physical Graffiti, which was the first release on the Swan Song Records label. It consisted of fifteen songs, eight of which were recorded at Headley Grange in 1974, and the remainder being tracks recorded years previously but not released on earlier albums.

A review in Rolling Stone magazine referred to Physical Graffiti as Led Zeppelin’s “bid for artistic respectability,” adding that the only competition the band had for the title of ‘World’s Best Rock Band’ were The Rolling Stones and The Who.[44] The album was a massive fiscal and critical success. Shortly after the release of Physical Graffiti, all previous Led Zeppelin albums simultaneously re-entered the top-200 album chart,[16] and the band embarked on another U.S. tour, again playing to record-breaking crowds. In May 1975, Led Zeppelin played five highly successful, sold-out nights at the Earls Court Exhibition Centre in London, footage of which was released in 2003, on the Led Zeppelin DVD. This series of concerts could be considered as some of the best of the band’s career.[45]
The latter days (1976–1980)
By 1976, Led Zeppelin were becoming increasingly popular worldwide, having outsold most bands of the time, including the Rolling Stones.[16] Their live shows would increase even further in theatricality, featuring larger stage areas and complex light shows. However, while there were still massive musical and commercial successes for the band during this period, problems such as the 1977 death of Robert Plant’s son, Jimmy Page’s heroin use,[46] changing musical tastes, and ultimately John Bonham’s 1980 death would finally bring an end to Led Zeppelin.
Presence
Main article: Presence (album)
Following their triumphant Earls Court appearances, Led Zeppelin took an unplanned break from touring. In August 1975, Robert Plant and his wife Maureen were involved in a serious car crash while on holiday in Rhodes, Greece. Robert suffered a broken ankle and Maureen was very badly injured; a blood transfusion saved her life.[16] Unable to tour, Plant headed to the channel island of Jersey to spend August and September recuperating, with Bonham and Page in tow. The band then reconvened in Malibu, California. It was during this forced hiatus that much of the material for their next album, Presence, was written.

Released in March 1976, the album marked a change in the Led Zeppelin sound towards more straightforward, guitar-based jams, departing from the acoustic ballads and intricate arrangements featured on their previous albums. Though it was a platinum seller, Presence received mixed responses from critics and fans. While many appreciated the looser style, others dismissed it as “sloppy”, and some critics speculated that the band members’ legendary excesses might have finally caught up with them, resulting in a sub-standard album release.[47] The recording of Presence coincided with the beginning of Page’s heroin use, which may have interfered with Led Zeppelin’s later live shows and studio recordings, although Page has denied this.[48]

Despite the original criticisms, Jimmy Page has called Presence his favourite album, and its opening track “Achilles Last Stand” (sample (info)) his favourite Led Zeppelin song. Robert Plant has also stated that he thinks Presence is the album that probably sounds the most “Led Zeppelin” of all their LPs.[49]
The concert film (The Song Remains the Same)
Main articles: The Song Remains the Same (film) and The Song Remains the Same
 
Poster for Led Zeppelin’s twin concerts at Oakland, July 1977Robert Plant’s injuries prevented Led Zeppelin from touring in 1976. Instead, the band finally completed the concert film The Song Remains The Same, and the soundtrack album of the film. It would be the only official live document of the group available until the release of the BBC Sessions in 1997. The recording had taken place during three nights of concerts at Madison Square Garden in July 1973, during the Houses of the Holy concert tour. The film premiered in New York on October 20, 1976, but was not well received by critics or fans. The film was particularly unsuccessful in the UK, where, after eight years of recording and touring, and in the wake of the punk rock revolution, Led Zeppelin were now considered to be obsolete in some quarters.[50]

In 1977, Led Zeppelin embarked on another massive U.S. concert tour. Though profitable financially, the tour was beset with off-stage problems. On June 3, after a concert at Tampa Stadium was cut short because of a severe thunderstorm, a riot broke out amongst the audience, resulting in several arrests and injuries. Police ultimately resorted to tear gas to break up the crowd.[51]

After a July 23 show at the “Days on the Green” festival at Oakland-Alameda County Coliseum in Oakland, California, John Bonham and members of the band’s support staff (including manager Peter Grant and security co-ordinator John Bindon) were arrested after a member of promoter Bill Graham’s staff was badly beaten during the performance. A member of the staff had allegedly slapped Grant’s son when he was taking down a dressing room sign; when Grant heard about this, he went into the trailer, along with Bindon and John Bonham, and savagely assaulted the man.[16]

The following day’s second Oakland concert would prove be the band’s final live appearance in the United States. After the performance, news came that Plant’s five year old son, Karac, had died from a stomach virus. The rest of the tour was immediately cancelled.[16]
In Through the Out Door
Main article: In Through The Out Door
December 1978 saw the group recording again, this time at Polar Studios in Stockholm, Sweden. The resultant album was In Through the Out Door, which exhibited a degree of sonic experimentation that again drew mixed reactions from critics. Nevertheless, the band still commanded legions of loyal fans, and the album easily reached #1 in the UK and the U.S. (in just its second week on the Billboard album chart).

In August 1979, after two warm-up shows in Copenhagen, Led Zeppelin headlined two concerts at the Knebworth music festival, where crowds of close to 120,000 witnessed the return of the band. However, Robert Plant was not eager to tour full-time again, and even considered leaving Led Zeppelin. He was persuaded to stay by Peter Grant. A brief, low-key European tour was undertaken in June and July 1980, featuring a stripped-down set without the usual lengthy jams and solos. At one show on June 27, in Nuremberg, Germany, the concert came to an abrupt end in the middle of the third song when John Bonham collapsed on stage and was rushed to a hospital. Press speculation arose that Bonham’s problem was caused by an excess of alcohol and drugs, but the band claimed that he had simply overeaten, and they completed the European tour on July 7, at Berlin.[16]
“A tragic end”
On September 24, 1980, John Bonham was picked up by Led Zeppelin assistant Rex King to attend rehearsals at Bray Studios for the upcoming tour of the United States, the band’s first since 1977. During the journey Bonham had asked to stop for breakfast, where he downed four quadruple vodkas (roughly sixteen shots-or 400ml-of vodka), with a ham roll. After taking a bite of the ham roll he said to his assistant, “Breakfast.” He continued to drink heavily when he arrived at the studio. A halt was called to the rehearsals late in the evening and the band retired to Page’s house — The Old Mill House in Clewer, Windsor. After midnight, Bonham had fallen asleep and was taken to bed and placed on his side. Benji LeFevre (who had replaced Richard Cole as Led Zeppelin’s tour manager) and John Paul Jones found him dead the next morning. Bonham was 32 years old.[52]

The cause of death was asphyxiation from vomit. A subsequent autopsy found no other drugs in Bonham’s body.[53] The alcoholism that had plagued the drummer since his earliest days with the band ultimately led to his death. John Bonham was cremated on October 10, 1980, at Rushock, Worcestershire parish church.

Despite rumours that Cozy Powell, Carmine Appice, Barriemore Barlow, Simon Kirke, or Bev Bevan would join the group as his replacement, the remaining members decided to disband Led Zeppelin after Bonham’s death. They issued a press statement on December 4, 1980 confirming that the band would not continue without Bonham. “We wish it to be known that the loss of our dear friend, and the deep sense of undivided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were.”[54]
Post Led Zeppelin (1980–present)

1980s
In 1982, the surviving members of the group released a collection of out-takes from various sessions during Led Zeppelin’s career, entitled Coda. It included two tracks taken from the band’s performance at the Royal Albert Hall in 1970, one each from the Led Zeppelin III and Houses of the Holy sessions, and three from the In Through the Out Door sessions. It also featured a 1976 John Bonham drum instrumental with electronic effects added by Jimmy Page, called “Bonzo’s Montreux”.

On July 13, 1985 Page, Plant and John Paul Jones reunited at the Live Aid concert at JFK Stadium, Philadelphia, for a short set featuring drummers Tony Thompson and Phil Collins. Collins had played on Plant’s first two solo albums. When Live Aid footage was released on a four-DVD set in late 2004, the group unanimously agreed not to allow footage from their performance to be used, agreeing that it was not up to their usual standards.[55] However, to show their ongoing support Page and Plant pledged proceeds from their forthcoming Page and Plant DVD release to the campaign and John Paul Jones pledged the proceeds of his then-current U.S. tour with Mutual Admiration Society to the project.

The three members reunited again in May of 1988, for Atlantic Records’ 40th Anniversary concert, with Bonham’s son, Jason Bonham, on drums.
1990s
Page and Plant reunited in 1994 for an MTV Unplugged performance (dubbed Unledded) which eventually led to a world tour with a Middle Eastern orchestra, and a live album entitled No Quarter. The bass player was Charlie Jones, who had been the bassist with Plant’s own band for several years. Many see this as the beginning of discord with John Paul Jones, who was upset with Page and Plant for touring without asking him first. Tensions were further increased when Plant was asked at a press conference where Jones was, and he jokingly replied that Jones was parking the car.[56]

On January 12, 1995, Led Zeppelin was inducted into the United States Rock and Roll Hall of Fame. They were inducted by Aerosmith’s vocalist, Steven Tyler and guitarist Joe Perry. Jason and Zoe Bonham also attended, representing their late father. At the induction ceremony, the band’s inner rift became apparent when Jones joked upon accepting his award, “Thank you, my friends, for finally remembering my phone number,” causing consternation and awkward looks from Page and Plant.[57] Afterwards, they played a brief set with Tyler and Perry, along with Neil Young and Michael Bell.

On August 29, 1997, Atlantic released a single edit of “Whole Lotta Love” in the U.S. and the UK, making it the only Led Zeppelin CD single. Additional tracks on this CD-single are “Baby Come on Home” and “Travelling Riverside Blues”. It is the only single the band ever released in the UK. It peaked at #21.[58]

November 11, 1997 saw the release of Led Zeppelin BBC Sessions, the first Led Zeppelin album in fifteen years. The two-disc set included almost all of the band’s recordings for the BBC.

Page and Plant continued their renewed collaboration through 1998, releasing a critically acclaimed CD of all original Page-Plant compositions called Walking Into Clarksdale, which won a Grammy for best rock song (”Most High”), and was supported by another world tour, which the duo called “Walking Into Everywhere”. Eschewing the Middle Eastern orchestra of the 1995 world tour, the ‘98 shows were an all-out rock and roll show, highlighting classic Zeppelin material, along with Page and Plant originals from the “No Quarter” and “Walking Into Clarksdale” CDs.
2000s
In October 2002, the British press reported that Robert Plant and John Paul Jones had reconciled after a 20-year feud which had kept Led Zeppelin apart, and rumours surfaced of a reunion tour in 2003.[59] This was later denied by Plant and Page’s management company.[60]

2003 saw the release of a triple live album, How the West Was Won, and a video collection, Led Zeppelin DVD, both featuring material from the band’s heyday. At the year’s end, the DVD had sold more than 520,000 copies. Around Christmas 2004, “Stairway To Heaven” was voted the best rock song of all time by Planet Rock listeners in a poll conducted on the station’s website. Two other Led Zeppelin songs were also featured in the top ten - “Whole Lotta Love” at number six and “Rock and Roll” at number eight.[61]

In 2005, Led Zeppelin received a Grammy Lifetime Achievement Award, and readers of Guitar World magazine voted the guitar solo from “Stairway to Heaven” to be the best rock guitar solo of all time.[62] Led Zeppelin ranked #14 on Rolling Stone’s 2004 list of the 100 Greatest Artists of All Time.[63] In November 2005, it was announced that Led Zeppelin and Russian conductor Valery Gergiev were the winners of the 2006 Polar Music Prize. The King of Sweden presented the prize to Plant, Page and Jones, along with John Bonham’s daughter, in Stockholm in May, 2006.[64]

In November 2006, Led Zeppelin were inducted into the UK Music Hall of Fame. The television broadcasting of the event consisted of an introduction to the band by various famous admirers, a presentation of an award to Jimmy Page and then a short speech by the guitarist. After this, rock group Wolfmother played a tribute to Led Zeppelin, playing the song “Communication Breakdown”.[65][66]

Led Zeppelin have always been very protective of its catalogue of songs, and have seldom allowed them to be licensed for films or commercials. In recent years, this position has softened, and their songs can be heard in movies such as One Day in September, School of Rock, Shrek the Third (”Immigrant Song” in all three), Dogtown and Z-Boys (”Achilles Last Stand” and “Hots on for Nowhere”) and Almost Famous (”That’s the Way”, “The Rain Song”, “Misty Mountain Hop”, and “Tangerine”) and Small Soldiers (”Communication Breakdown”). One Tree Hill was the first, and so far only network television show to license a Led Zeppelin song, using “Babe I’m Gonna Leave You”. Also noteworthy is the resurgent Cadillac’s use of “Rock and Roll” for their US TV advertising campaign (no doubt for the wry opening line, “It’s been a long time…”). Also, Led Zeppelin have allowed iTunes to sell the music from the upcoming greatest hits collection Mothership, in the iTunes store.[67]

In April 2007 Hard Rock Park announced it had secured an agreement with the band to create “Led Zeppelin-The Ride” - A roller coaster built by B&M synchronised to the music of Led Zeppelin’s Whole Lotta Love. The coaster will stand 155 feet tall, feature six inversions, and spiral over a lagoon. It will be found in the “Rock and Roll Heaven” section of Hard Rock Park. As of September 13, 2007, the ride track is complete. The park is aiming to conduct test runs in December. The park opens in May 2008 in Myrtle Beach, SC.

On June 25, 2007, World Entertainment News reported that Led Zeppelin had allegedly agreed to re-form for a special memorial concert in honour of Ahmet Ertegun, the founder of Atlantic Records who died in December 2006. It was also reported that if the concert went well, the band would go on tour in 2008. The same report suggested that the three surviving members would be joined on drums by John Bonham’s son, Jason. [68] However on June 28, Robert Plant made it appear at a press conference that the reunion discussions were false. [69]

On July 27, 2007, Atlantic/Rhino, & Warner Home Video announced three new Led Zeppelin titles to be released in November, 2007. Released first will be Mothership on November 13, a 24-track best-of spanning the band’s career, followed by a reissue of the soundtrack to The Song Remains the Same on November 20 which includes previously unreleased material, and a new DVD.[70]

On October 15, 2007, www.news.com published an article that Led Zeppelin is expected to announce today a new series of agreements that make its songs available as legal digital downloads. First as ringtones through Verizon Wireless then as digital downloads of the band’s eight studio albums and other recordings on November 13. The offerings will be available through both Verizon Wireless and iTunes.
2007 Reunion
 This article or section contains information about scheduled or expected future events.
It may contain tentative information; the content may change as the event approaches and more information becomes available.

On September 12, 2007, it was confirmed during a press conference by promoter Harvey Goldsmith that the surviving members of Led Zeppelin will reunite in aid of the Ahmet Ertegun education fund for a show at the O2 Arena in London on 26 November 2007, with Jason Bonham filling in on drums.[71] Tickets were made available via a lottery system through Ahmettribute.com, costing £125 / $250.[72] The website exceeded its bandwidth allowance and crashed almost immediately following the announcement, with the promoter predicting that the gig will cause the “largest demand for one show in history”,[73] due to the ticket request site receiving 120 million hits, with 25 million people registering for 20,000 available tickets.

The tribute concert will also feature Pete Townshend, Bill Wyman’s Rhythm Kings, Paolo Nutini, and Foreigner as supporting acts. Jason Bonham will do double duty as he will be drumming for both Led Zeppelin and Foreigner, a band Bonham has been a member of since 2004.
Allegations of plagiarism
When Led Zeppelin’s debut album was released, it received generally positive reviews, however John Mendelsohn of Rolling Stone magazine, criticized the band for stealing music, notably “Black Mountain Side” from Bert Jansch’s “Black Water Side” and the riff from “Your Time Is Gonna Come” from Traffic’s “Dear Mr. Fantasy”. He also accused the band of mimicking black artists, and showing off. This marked the beginning of a long rift between the band and the magazine, with Led Zeppelin rejecting later requests for interviews and cover stories as their level of success escalated.[33]

One song from the album, “Dazed and Confused”, was a song originally written by Jake Holmes on his album “The Above Ground Sound” of Jake Holmes. The Yardbirds, Jimmy Page’s old band, had made a version called “I’m Confused”, and Page reworked the song again for Led Zeppelin’s debut recording, with Holmes having never received any royalty payments for their recording.[74] Holmes did not file suit over the song, although he did send the band a letter stating “I understand it’s a collaborative effort, but I think you should give me some credit at least and some remunity.” His letter was never replied to and he did not follow up on it.[74] Holmes is however also reported to have said “what the hell, let him [Page] have it [Dazed and Confused]”.[16]

Led Zeppelin II’s credits have also been the subject of debate since the album’s release. The prelude to “Bring It on Home” is a cover of Sonny Boy Williamson’s “Bring it on Home” and drew comparisons with Willie Dixon’s “Bring It on Back”. “Whole Lotta Love” (sample (info)) shared some lyrics and an overall pattern with Dixon’s “You Need Love/Woman You Need Love”. In the 1970s, Arc Music, the publishing arm of Chess Records, brought a lawsuit against Led Zeppelin for copyright infringement over “Bring It on Home” and won an out-of-court settlement.[75] Dixon himself did not benefit until he sued Arc Music to recover his royalties and copyrights. Years later, Dixon filed suit against Led Zeppelin over “Whole Lotta Love” and an out-of-court settlement was reached. Later pressings of Led Zeppelin II credit Dixon.

The opening chord progression and verse in Stairway to Heaven are very similar to the 1968 instrumental “Taurus” by the group Spirit.[76] Led Zeppelin was the opening act for Spirit’s 1968 tour,[77] a little over two years before “Stairway to Heaven” was written.
Discography
For more details on this topic, see Led Zeppelin discography.
Date of release Title Chart Position RS 500
January 12, 1969 Led Zeppelin #6 UK, #10 U.S. #29
October 22, 1969 Led Zeppelin II #1 UK, #1 U.S. #75
October 5, 1970 Led Zeppelin III #1 UK, #1 U.S. N/A
November 8, 1971 Led Zeppelin IV #1 UK, #2 U.S. #66
March 28, 1973 Houses of the Holy #1 UK, #1 U.S. #149
February 24, 1975 Physical Graffiti #1 UK, #1 U.S. #70
March 31, 1976 Presence #1 UK, #1 U.S. N/A
August 15, 1979 In Through the Out Door #1 UK, #1 U.S. N/A
Filmography
The Song Remains the Same (1976)
Led Zeppelin DVD (2003)
In 1999 the recording industry announced that the band was only the third act in music history to achieve four or more diamond-certified albums, signifying sales of 10 million copies.

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